© Gunnar Tómasson
24 April 2016
Prologue
The Horace Howard Furness Shakespeare Collection at the Schoenberg Center for Electronic Text & Image at the University of Pennsylvania Libraries has been an invaluable resource over the years for my research on the Shakespeare Opus and the King James Bible.
Today, I found out that the Collection lists a book by Nicholas Rowe with the intriguing title, The Tragedy of Jane Shore – Written in Imitation of Shakespear‘s style.
When read Shakespeare-style, the book provides authoritative confirmation of Henry James‘ conviction that “the divine William was the biggest and most successful fraud ever practiced on a patient world.“
For Rowe “documents“ through the Cipher Sum of the Alpha and Omega parts of the book‘s Dedication that, as I concluded many years ago, the Shakespeare Opus was the work of three main authors:
Edward Oxenford – Francis Bacon – Ben Jonson
***
I. Rowe Imitating Shakespear‘s Style
(The Tragedy of Jane Shore)
215385
Alpha
19300 = To his Grace the Duke of Queensberry and Dover,
8792 = Marquis of Beverly &c. [c = 100 in &c]
Omega
31266 = That I may live to see Your Grace eminent for the Love of your Country
29167 = for Your Service and Duty to your Prince, and in convenient time,
21022 = adorn‘d with all the Honours that have ever been
14105 = conferr‘d upon Your Noble Family:
19939 = That you may be distinguish‘d to Posterity,
23365 = as the Bravest, Greatest, and best Man of the Age You live in,
14152 = is the hearty Wish, and Prayer of,
3177 = My Lord,
12909 = Your Grace‘s most Obedient, and
14015 = Most Faithful, Humble Servant,
4176 = N. Rowe.
215385
II. Gnostic Christianity and Shakespeare Authors
(Augustan-Saga-Shakespeare Tradition)
215385
Alpha
3045 = LOGOS
Incarnation
1000 = Light of the World
345 = Soul‘s material frame
216 = Soul‘s Resurrection
3394 = Jesus
Shakespeare Authors
7936 = Edward Oxenford
5385 = Francis Bacon
4692 = Ben Jonson
Omega
(Ovid‘s Metamorphoses)
20809 = Iamque opus exegi, quod nec Iovis ira nec ignis
20812 = nec poterit ferrum nec edax abolere vetustas.
23327 = Cum volet, illa dies, quae nil nisi corporis huius
18460 = ius habet, incerti spatium mihi finiat aevi:
19235 = parte tamen meliore mei super alta perennis
20738 = astra ferar, nomenque erit indelebile nostrum,
22001 = quaque patet domitis Romana potentia terris,
17657 = ore legar populi, perque omnia saecula fama,
18369 = siquid habent veri vatum praesagia, vivam.¹
Vivam
7864 = Jesus Patibilis – The Passible Jesus
100 = The End
215385
III. Rowe‘s Capital Letters
(I. above)
21674
3126 = TGDQDMB
6935 = TIYGLCYSDPHYNF
5668 = TPBGMAYWP
20284 = MLYGOMFHS
1390 = NR
21674
Hebrew Myth
10 = Father
11099 = Il Giudizio Universale – Michelangelo, The Last Judgement
10565 = JHWH’s Name Risen in Creation Anew
21674
IV. Rowe‘s Lower-case Letters
(215385 – 21674 =)
193711
Platonic Roots
105113 = Platonic World Soul²
Enlightenment
Augustan-Saga-Shakespeare Authors
1000 = Light of the World
14209 = Quintus Horatius Flaccus
12337 = Publius Virgilius Maro
11999 = Sextus Propertius
11249 = Publius Ovidius Naso
11359 = Snorri Sturluson
9814 = Sturla Þórðarson
5385 = Francis Bacon
7936 = Edward Oxenford
3310 = Fróðari – Wiser; Gangleri Enlightened in Gylfaginning
193711
***
Calculator for converting letters to cipher values is at:
http://www.light-of-truth.com/ciphersaga.htm
¹And now the measure of my song is done:
The work has reached its end; the book is mine,
None shall unwrite these words: nor angry Jove,
Nor war, nor fire, nor flood,
Nor venomous time that eats our lives away.
Then let that morning come, as come it will,
When this disguise I carry shall be no more,
And all the treacherous years of life undone,
And yet my name shall rise to heavenly music,
The deathless music of the circling stars.
As long as Rome is the Eternal City
These lines shall echo from the lips of men,
As long as poetry speaks truth on earth,
That immortality is mine to wear.
²The numerical value of Plato’s World Soul is defined as the sum of 34 numerical values which are derived from the tonal scale according to what is known as the Traditional Construction of the World Soul. (See p. 229, Plato´s Mathematical Imagination by Robert Brumbaugh. On the Internet.)