Miðvikudagur 10.05.2017 - 22:28 - FB ummæli ()

He was not of an age, but for all time!

© Gunnar Tómasson

10 May 2017

Our Ever-living Poet:

Who’s there?

  6406 = Who’s there?

10347 = Our Ever-living Poet

16753

 

1000 = Light of the World

8753 = Jesus Kristus – Danish

  7000 = Microcosmos – Man in God’s Image

16753

 

1 = Monad

3045 = Logos

4385 = Hagia Sopia – Divine Wisdom

  9322 = William Shakespeare

16753

 

1 = Monad

6627 = Jesting Pilate

10125 = Sannr Maðr ok Sannr Guð – True Man and True God

16753

 

1000 = Light of the World

5656 = Anne Hathaway

4600 = Scialetheia

  5497 = Et in Arcadia Ego

16753

***

I. Ben Jonson’s Commendatory Ode

(First folio, 1623)

1529523

11150 = To the memory of my beloved,

5329 = The AVTHOR

10685 = MR. WILLIAM SHAKESPEARE

867 = AND

9407 = what he hath left us.

 

17316 = To draw no envy (Shakespeare) on thy name,

13629 = Am I thus ample to thy Booke, and Fame:

20670 = While I confesse thy writings to be such,

19164 = As neither Man, nor Muse, can praise too much.

21369 = ‘Tis true, and all mens suffrage. But these wayes

20516 = Were not the paths I meant unto thy praise;

17686 = For seeliest Ignorance on these may light,

23213 = Which, when it sounds at best, but eccho’s right;

17565 = Or blinde Affection, which doth ne’re advance

19375 = The truth, but gropes, and urgeth all by chance;

18692 = Or crafty Malice, might pretend this praise,

19456 = And thinke to ruine, where it seem’d to raise.

18294 = These are, as some infamous Baud, or Whore,

23199 = Should praise a Matron: – What could hurt her more?

18170 = But thou art proofe against them, and indeed

16465 = Above th’ill fortune of them, or the need.

16324 = I, therefore, will begin. Soule of the Age!

20370 = The applause! delight! the wonder of our Stage!

18434 = My Shakespeare, rise! I will not lodge thee by

16611 = Chaucer or Spenser, or bid Beaumont lye

15597 = A little further, to make thee a roome:

17952 = Thou art a Moniment, without a tombe,

19673 = And art alive still, while thy Booke doth live,

19194 = And we have wits to read, and praise to give.

18259 = That I not mixe thee so, my braine excuses, –

22232 = I meane with great, but disproportion’d Muses;

19760 = For if I thought my judgement were of yeeres,

21584 = I should commit thee surely with thy peeres,

23104 = And tell, how farre thou didst our Lily out-shine,

19727 = Or sporting Kid, or Marlowes mighty line.

21016 = And though thou hadst small Latine, and lesse Greeke,

21296 = From thence to honour thee, I would not seeke

20635 = For names; but call forth thund’ring Æschilus,

14527 = Euripides, and Sophocles to us,

15939 = Paccuvius, Accius, him of Cordova dead,

15425 = To life againe, to heare thy Buskin tread

19665 = And shake a Stage: Or, when thy Sockes were on,

14842 = Leave thee alone for the comparison

18781 = Of all that insolent Greece or haughtie Rome

20033 = Sent forth, or since did from their ashes come.

21540 = Triumph, my Britaine, thou hast one to showe

18910 = To whom all Scenes of Europe homage owe.

14789 = He was not of an age, but for all time!

19879 = And all the Muses still were in their prime,

17867 = When, like Apollo, he came forth to warme

16143 = Our eares, or like a Mercury to charme!

19768 = Nature her selfe was proud of his designes,

18609 = And joy’d to weare the dressing of his lines!

22712 = Which were so richly spun, and woven so fit,

20715 = As, since, she will vouchsafe no other Wit.

16006 = The merry Greeke, tart Aristophanes,

22701 = Neat Terence, witty Plautus, now not please;

12944 = But antiquated, and deserted lye,

15906 = As they were not of Natures family.

17575 = Yet must I not give Nature all; Thy Art,

16885 = My gentle Shakespeare, must enjoy a part:

17709 = For though the Poets matter, Nature be,

16202 = His Art doth give the fashion. And, that he,

24373 = Who casts to write a living line, must sweat

18045 = (such as thine are) and strike the second heat

17403 = Upon the Muses anvile: turne the same,

19618 = (And himselfe with it) that he thinkes to frame;

16266 = Or, for the lawrell, he may gaine a scorne,

15633 = For a good Poet’s made, as well as borne.

21914 = And such wert thou. Looke how the fathers face

15715 = Lives in his issue, even so, the race

20651 = Of Shakespeares minde and manners brightly shines

17328 = In his well torned and true-filed lines:

15712 = In each of which, he seemes to shake a Lance,

14757 = As brandish’t at the eyes of Ignorance.

21616 = Sweet Swan of Avon! what a sight it were

17318 = To see thee in our waters yet appeare,

19678 = And make those flights upon the bankes of Thames,

14184 = That so did take Eliza and our James!

15161 = But stay, I see thee in the Hemisphere

14530 = Advanc’d, and made a Constellation there!

22500 = Shine forth, thou Starre of Poets, and with rage

19541 = Or influence, chide or cheere the drooping Stage;

24007 = Which, since thy flight frō hence, hath mourn’d like night,

18824 = And despaires day, but for thy Volumes light.

  4692 = BEN: IONSON

1529523

II/III + IV/V = 1029083 + 500440 = 1529523

II. Sonnets I, II, CLIII and CLIV

(Shakespeares Sonnets, 1609)

1029083

   1000 = Light of the World

Alpha – I and II

19985 = From fairest creatures we desire increase,

18119 = That thereby beauties Rose might neuer die,

16058 = But as the riper should by time decease,

15741 = His tender heire might beare his memory:

22210 = But thou contracted to thine own bright eyes,

25851 = Feed’st thy lights flame with selfe substantiall fewell,

14093 = Making a famine where aboundance lies,

22081 = Thy selfe thy foe, to thy sweet selfe too cruell:

23669 = Thou that art now the worlds fresh ornament,

15027 = And only herauld to the gaudy spring,

21957 = Within thine own bud buriest thy content,

18648 = And, tender chorle, makst wast in niggarding:

20168 = Pitty the world, or else this glutton be,

18054 = To eate the worlds due, by the graue and thee.

 

22191 = When fortie Winters shall beseige thy brow,

16472 = And digge deep trenches in thy beauties field,

20500 = Thy youthes proud liuery so gaz’d on now,

19497 = Wil be a totter’d weed of smal worth held:

17451 = Then being askt, where all thy beautie lies,

19311 = Where all the treasure of thy lusty daies;

20498 = To say within thine owne deepe sunken eyes

21834 = How much more praise deseru’d thy beauties vse,

22077 = If thou couldst answere this faire child of mine

17540 = Shall sum my count, and make my old excuse

19210 = Proouing his beautie by succession thine.

21619 = This were to be new made when thou art ould,

22848 = And see thy blood warme when thou feel’st it could.

Omega – CLIII and CLIV

13228 = Cvpid laid by his brand and fell a sleepe,

13445 = A maide of Dyans this aduantage found,

18187 = And his loue-kindling fire did quickly steepe

18007 = In a could vallie-fountaine of that ground:

20891 = Which borrowd from this holie fire of loue,

16961 = A datelesse liuely heat still to indure,

19450 = And grew a seething bath which yet men proue,

18055 = Against strang malladies a soueraigne cure:

19283 = But at my mistres eie loues brand new fired,

21662 = The boy for triall needes would touch my brest

16374 = I sick withall the helpe of bath desired,

15780 = And thether hied a sad distemperd guest.

18172 = But found no cure, the bath for my helpe lies,

19223 = Where Cupid got new fire; my mistres eye.

 

15579 = The little Loue-God lying once a sleepe,

14878 = Laid by his side his heart inflaming brand,

22758 = Whilst many Nymphes that vou’d chast life to keep,

14399 = Came tripping by, but in her maiden hand,

17635 = The fayrest votary tooke vp that fire,

20156 = Which many Legions of true hearts had warm’d,

12929 = And so the Generall of hot desire,

15303 = Was sleeping by a Virgin hand disarm’d.

16961 = This brand she quenched in a coole Well by,

20944 = Which from loues fire tooke heat perpetuall,

14642 = Growing a bath and healthfull remedy,

18706 = For men diseasd, but I my Mistrisse thrall,

18170 = Came there for cure and this by that I proue,

23496 = Loues fire heates water, water cooles not loue.

FINIS

    100 = The End

1029083

III. Dark Lady Macbeth – Soul of Kali Yuga

(See V. below)

1029083

Archetypal Man-Beast

      5968 = Robert Greene

Death of Lady Macbeth

Man-Beast’s Tyrant Aspect

(Macbeth, Act V, Sc. v, First Folio 1623)

18403 = Enter Macbeth, Seyton, & Souldiers, with,

8343 = Drum and Colours.

Macbeth

21757 = Hang out our Banners on the outward walls,

23086 = The Cry is still, they come: our Castles strength

19926 = Will laugh a Siedge to scorne: Heere let them lye,

13600 = Till Famine and the Ague eate them vp:

25999 = Were they not forc’d with those that should be ours,

18203 = We might haue met them darefull, beard to beard,

20078 = And beate them backward home.  What is that noyse?

 

11226 = A Cry within of Women.

Seyton

15780 = It is the cry of women, my good Lord.

Macbeth

17369 = I haue almost forgot the taste of Feares:

18952 = The time ha’s beene, my sences would haue cool’d

15646 = To heare a Night-shrieke, and my Fell of haire

22673 = Would at a dismall Treatise rowze, and stirre

23924 = As life were in’t.  I haue supt full with horrors,

23242 = Direnesse familiar to my slaughterous thought

21957 = Cannot once start me.  Wherefore was that cry?

Seyton

9748 = The Queene (my Lord) is dead.

Macbeth

12050 = She should haue dy’de heereafter;

20111 = There would haue beene a time for such a word:

22689 = To morrow, and to morrow, and to morrow,

17099 = Creepes in this petty pace from day to day,

15476 = To the last Syllable of Recorded time:

17611 = And all our yesterdayes, haue lighted Fooles

19767 = The way to dusty death.  Out, out, breefe Candle,

18629 = Life’s but a walking Shadow, a poore Player,

23287 = That struts and frets his houre vpon the Stage,

13957 = And then is heard no more.  It is a Tale

15789 = Told by an Ideot, full of sound and fury

8516 = Signifying nothing.

She Should Haue Dy’de Heereafter

Abomination of Desolation

(Contemporary history)

The Gates of Hell

13031 = International Monetary Fund

9948 = Harvard University

7146 = Seðlabanki Íslands – Central Bank of Iceland = 30125

Persecuted

  8525 = Gunnar Tómasson

12385 = Guðrún Ólafía Jónsdóttir

Means of Persecution

11587 = Character Assassination

5881 = Níðingsverk – Barbarity

7750 = Psychiatric Rape

6603 = Mannorðsmorð – Vicious Slander

16439 = Criminal Obstruction of Justice

Persecutors – Pontius Pilates

U.S. Government

12867 = William Jefferson Clinton – President

4496 = Janet Reno – Attorney General

IMF

8899 = Jacques de Larosière – Managing Director

7678 = Michel Camdessus – Managing Director

5517 = William B. Dale – Deputy Managing Director

2713 = Dick Erb – Deputy Managing Director

6584 = Jacques J. Polak – Economic Counsellor

4734 = Tun Thin – Asian Department Director

9349 = W. John R. Woodley – Asian Department Deputy Director

3542 = Ken Clark – Director of Administration

3339 = Graeme Rea – Director of Administration

3227 = P. N. Kaul – Deputy Director of Administration

5446 = Nick Zumas – Grievance Committee Chairman

Harvard

3625 = Derek C. Bok – President

8175 = Henry Rosovsky – Dean, Graduate School of Arts and Sciences

8566 = James S. Duesenberry – Chairman, Department of Economics

11121 = Paul Anthony Samuelson – Ph. D., Nobel Laureate in Economics

8381 = Walter S. Salant – Ph. D., Brookings Institution Senior Fellow

Iceland

10244 = Vigdís Finnbogadóttir – President

11361 = Salóme Þorkelsdóttir – Althing President

6028 = Davíd Oddsson – Prime Minister

10295 = Þorsteinn Pálsson – Minister of Justice

8316 = Jón Sigurdsson – Minister of Commerce

5940 = Jónas H. Haralz – World Bank Executive Director

Other Iceland

6648 = Jóhannes Nordal – Central Bank Governor

8864 = Bjarni Bragi Jónsson – Central Bank Chief Economist

14314 = Benjamín Jón Hafsteinn Eiríksson – Harvard Ph. D.

9720 = Matthías Jóhannessen – Editor, Morgunblaðið

Other

10989 = Orenthal James Simpson

8015 = John & Patsy Ramsey

4953 = Osama bin Laden

Violent Crimes

 3586 = Murder

 

6899 = Nicole Brown

4948 = Ron Goldman

6100 = Brentwood

1204 = 12 June (4th month old-style)

1994 = 1994 A.D.

 

3718 = Jonbenet

3503 = Boulder

2510 = 25 December (10th month old-style)

1996 = 1996 A.D.

 

5557 = The Pentagon

9596 = World Trade Center

1107 = 11 September (7th month old-style)

2001 = 2001 A.D.

Other

7920 = Excelsior Hotel

5060 = Paula Jones

803 = 8 May (3rd month old-style)

1991 = 1991 A.D.

4014 = Kiss it!

 

8486 = The White House

7334 = Kathleen Willey

2909 = 29 November (9th month old-style)

1993 = 1993 A.D.

22091 = I’ve wanted to do this ever since I laid eyes on you.

 

6045 = The Oval Office

8112 = Monica Lewinsky

1509 = 15 November (9th month old-style)

1995 = 1995 A.D. = 438097¹

1029083

IV. The Genius of Antiquity – A Shadow of Truth

(Shakespeare Myth)

500440

Background

In 1598 an unknown author of considerable talent and great charm wrote a series of satires, which he called Scialetheia, or A Shadow of Truth.  In his snapdragon verses he described the vanity of the times.  Staying late after the play at the Curtain, he had the wit to see that the dark theatre, vast and secret, represented something unfathomably precious. (Robert Payne, By Me, William Shakespeare, 1980, p. 75)

The Genius of Antiquity

A Shadow of Truth

At Play’s Alpha

      666 = Man-Beast of Revelation

Truth

At Play’s Omega

10805 = Sweet Swan of Avon

4000 = Flaming Sword/Cosmic Creative Power

Theme of the Play

And It’s Author/Actor

13328 = The City is the map of vanities,

16587 = The mart of fools, the agazine of gulls,

20512 = The painter’s shop of Anticks: walk in Paul’s

18826 = And but observe the sundry kinds of shapes

21682 = Th’ wilt swear that London is as rich in apes

14080 = As Africa Tabraca.  One wries his face.

20587 = This fellow’s wry neck is his better grace.

14586 = He coined in newer mint of fashion,

24232 = With the right Spanish shrug shows passion.

15935 = There comes on in a muffler of Cadiz beard,

19993 = Frowning as he would make the world afeard;

18479 = With him a troop all in gold-daubed suits,

19235 = Looking like Talbots, Percies, Montacutes,

21589 = As if their very countenances would swear

17842 = The Spaniard should conclude a peace for fear:

17567 = But bring them to a charge, then see the luck,

23345 = Though but a false fire, they their plumes will duck.

21733 = What marvel, since life’s sweet?  But see yonder,

14906 = One like the unfrequented Theatre

18199 = Walks in vast silence and dark solitude.

20492 = Suited to those black fancies which intrude

19795 = Upon possession of his troubled breast:

19151 = But for black’s sake he would look like a jest,

15724 = For he’s clean out of fashion: what he?

14513 = I think the Genius of antiquity,

14586 = Come to complain of our variety

  7465 = Of fickle fashions.

500440

V. Sol Invictus – Light of the World – Kali Yuga

The Workes of William Shakespeare

(Construction G. T.)

500440

Nor of an age, but for all time

 7645 = Sol Invictus

1000 = Light of the World

-4000 = Dark Sword – Man-Beast

432000 = Kali Yuga

 

16746 = The Workes of William Shakespeare,

17935 = Containing all his Comedies, Histories, and

13106 = Tragedies: Truely set forth,

16008 = according to their first Originall.

500440

***

Calculator for converting letters to cipher values is at:

http://www.light-of-truth.com/ciphersaga.htm

¹Abomination of Desolation

Message posted to friends on 26 February 2014:

While in Iceland last August, I met with Pétur Halldórsson at the Cafe Milano in Reykjavík. We discussed matters of mutual interest, including what my Saga Cipher work might “mean“.

I took a napkin and, for emphasis, wrote down the number 438097. This is the Cipher Sum of some three dozen names of persons, institutions, dates and events during the reference period, including two famous murder cases, a sex scandal in high places, and presumptive lies told in connection therewith.

I told Pétur (what I had long surmised) that I believed that this number was associated with a watershed event in human history whose final phase was upon our world.

An earth-shaking culmination of human and spiritual evolution.

 

 

 

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Höfundur

Gunnar Tómasson
Ég er fæddur (1940) og uppalinn á Melunum í Reykjavík. Stúdent úr Verzlunarskóla Íslands 1960 og með hagfræðigráður frá Manchester University (1963) og Harvard University (1965). Starfaði sem hagfræðingur við Alþjóðagjaldeyrissjóðinn frá 1966 til 1989. Var m.a. aðstoðar-landstjóri AGS í Indónesíu 1968-1969, og landstjóri í Kambódíu (1971-1972) og Suður Víet-Nam (1973-1975). Hef starfað sjálfstætt að rannsóknarverkefnum á ýmsum sviðum frá 1989, þ.m.t. peningahagfræði. Var einn af þremur stofnendum hagfræðingahóps (Gang8) 1989. Frá upphafi var markmið okkar að hafa hugsað málin í gegn þegar - ekki ef - allt færi á annan endann í alþjóðapeningakerfinu. Í október 2008 kom sú staða upp í íslenzka peninga- og fjármálakerfinu. Alla tíð síðan hef ég látið peninga- og efnahagsmál á Íslandi meira til mín taka en áður. Ég ákvað að gerast bloggari á pressan.is til að geta komið skoðunum mínum í þeim efnum á framfæri.
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