© Gunnar Tómasson
23 December 2017
I. Turne, Hell-hound turne. – Macbeth slaine.
(Macbeth, Act V, Sc. vii)
1266209
5476 = Enter Macbeth.
Macbeth
15484 = They haue tied me to a stake, I cannot flye,
21429 = But Beare-like I must fight the course. What’s he
18595 = That was not borne of Woman? Such a one
7765 = Am I to feare, or none.
10263 = Enter young Seyward.
Young Seyward
7727 = What is thy name?
Macbeth
11523 = Thou’lt be affraid to heare it.
Young Seyward
19453 = No: though thou call’st thy selfe a hoter name
7090 = Then any is in hell.
Macbeth
5982 = My name’s Macbeth.
Young Seyward
21449 = The diuell himselfe could not pronounce a Title
10790 = More hatefull to mine eare.
Macbeth
9407 = No: nor more fearefull.
Young Seyward
22027 = Thou lyest abhorred Tyrant, with my Sword
14238 = Ile proue the lye thou speak’st.
13390 = Fight, and young Seyward slaine.
Macbeth
13779 = Thou was’t borne of woman;
23840 = But Swords I smile at, Weapons laugh to scorne,
18390 = Brandish’d by man that’s of a Woman borne. Exit.
9663 = Alarums. Enter Macduffe.
Macbeth
20208 = That way the noise is: Tyrant shew thy face,
21181 = If thou beest slaine, and with no stroake of mine,
23482 = My Wife and Childrens Ghosts will haunt me still:
23363 = I cannot strike at wretched Kernes, whose armes
21372 = Are hyr’d to beare their Staues: either thou Macbeth,
19129 = Or else my Sword with an vnbattered edge
19124 = I sheath againe vndeeded. There thou should’st be,
18651 = By this great clatter, one of greatest note
16640 = Seemes bruited. Let me finde him Fortune,
13369 = And more I begge not. Exit. Alarums.
11704 = Enter Malcolme and Seyward.
Seyward
19780 = This way my Lord, the Castles gently rendred:
18336 = The Tyrants people, on both sides do fight,
17032 = The Noble Thanes do brauely in the Warre,
18681 = The day almost it selfe professes yours,
8163 = And little is to do.
Malcolme
11136 = We haue met with Foes
10000 = That strike beside vs.
Seyward
16388 = Enter Sir, the Castle. Exeunt. Alarum.
5476 = Enter Macbeth.
Macbeth
16693 = Why should I play the Roman Foole, and dye
24275 = On mine owne sword? whiles I see liues, the gashes
9054 = Do better vpon them.
5805 = Enter Macduffe.
Macduffe
11371 = Turne, Hell-hound, turne.
Macbeth
11812 = Of all men else I haue auoyded thee:
18887 = But get thee backe, my soule is too much charg’d
11602 = With blood of thine already.
Macduffe
7780 = I haue no words,
21684 = My voice is in my Sword, thou bloodier Villaine
18408 = Then tearmes can giue thee out. Fight: Alarum
Macbeth
10798 = Thou loosest labour;
17585 = As easie may’st thou the intrenchant Ayre
20599 = With thy keene Sword impresse, as make me bleed:
16274 = Let fall thy blade on vulnerable Crests,
16716 = I beare a charmed Life, which must not yeeld
10121 = To one of woman borne.
Macduffe
7989 = Dispaire thy Charme,
21275 = And let the Angell whom thou still hast seru’d
21484 = Tell thee, Macduffe was from his Mothers womb
7417 = Vntimely ript.
Macbeth
17783 = Accursed be that tongue that tels mee so;
16929 = For it hath Cow’d my better part of man:
15970 = And be these Iugling Fiends no more beleeu’d,
17113 = That palter with vs in a double sence,
19805 = That keepe the word of promise to our eare,
21110 = And breake it to our hope. Ile not fight with thee.
Macduffe
9587 = Then yeeld thee Coward,
16489 = And liue to be the shew, and gaze o’ th’ time.
19059 = Wee’l haue thee, as our rarer Monsters are
15861 = Painted vpon a pole, and vnder-writ,
11568 = Heere may you see the Tyrant.
Macbeth
7518 = I will not yeeld
20881 = To kisse the ground before young Malcolmes feet,
16030 = And to be baited with the Rabbles curse,
18162 = Though Byrnane wood be come to Dunsinane,
17555 = And thou oppos’d, being of no woman borne,
16155 = Yet I will try the last. Before my body,
18389 = I throw my warlike Shield: Lay on Macduffe,
17524 = And damn’d be him, that first cries hold, enough.
11426 = Exeunt, fighting. Alarums.
12691 = Enter Fighting, and Macbeth slaine.
1266209
II + III = 1117947 + 148262 = 1266209
II. Goodnight sweet Prince and
Angels fly thee to thy rest
(Hamlet, Act V, Sc. ii, First Folio)
1117947
15079 = March afarre off, and shout within.
Hamlet
14387 = What warlike noyse is this?
6697 = Enter Osricke.
Osricke
22993 = Yong Fortinbras, with conquest come fro Poland [FF text: frō]
24474 = To th’Ambassadors of England giues this warlike volly.
Hamlet
5901 = O I dye Horatio:
24502 = The potent poyson quite ore-crowes my spirit,
19230 = I cannot liue to heare the Newes from England,
17032 = But I do prophesie th’election lights
14414 = On Fortinbras, he ha’s my dying voyce,
22842 = So tell him with the occurrents more and lesse,
23314 = Which haue solicited. The rest is silence. O, o, o, o. Dyes.
Horatio
10167 = Now cracke a Noble heart:
11836 = Goodnight sweet Prince,
18286 = And flights of Angels sing thee to thy rest,
14342 = Why do’s the Drumme come hither?
16923 = Enter Fortinbras and English Ambassador,
18137 = with Drumme, Colours, and Attendants.
Fortinbras
10437 = Where is this sight?
Horatio
12180 = What is it ye would see;
21128 = If ought of woe, or wonder, cease your search.
Fortinbras
18987 = His quarry cries on hauocke. Oh proud death,
20646 = What feast is toward in thine eternall Cell.
17251 = That thou so many Princes, at a shoote,
11980 = So bloodily hast strooke.
Ambassador
8962 = The sight is dismall,
17034 = And our affaires from England come too late,
22958 = The eares are senselesse that should giue vs hearing,
17106 = To tell him his command’ment is fulfill’d
17885 = That Rosincrance and Guildensterne are dead:
16857 = Where should we haue our thankes?
Horatio
9607 = Not from his mouth,
15062 = Had it th’abilitie of life to thanke you:
16660 = He neuer gaue command’ment for their death.
22657 = But since so jumpe vpon this bloodie question,
20905 = You from the Polake warres, and you from England
18723 = Are heere arriued. Giue order that these bodies
14365 = High on a stage be placed to the view,
20828 = And let me speake to th’yet vnknowing world,
20781 = How these things came about. So shall you heare
16187 = Of carnall, bloudie, and vnnaturall acts,
20116 = Of accidentall iudgements, casuall slaughters
17748 = Of death’s put on by cunning, and forc’d cause,
19567 = And in this vpshot, purposes mistooke,
17470 = Falne on the Inuentors heads. All this can I
7002 = Truly deliuer.
Fortinbras
10425 = Let vs hast to heare it,
14076 = And call the Noblest to the Audience.
20198 = For me, with sorrow, I embrace my Fortune,
18870 = I haue some Rites of memory in this Kingdome,
14639 = Which are ro claime my vantage doth [FF text: ro]
4289 = Inuite me
Horatio
18476 = Of that I shall haue alwayes cause to speake,
8322 = And from his mouth
16597 = Whose voyce will draw on more:
17888 = But let this same be presently perform’d,
15823 = Even whiles mens mindes are wilde,
8809 = Lest more mischance
12621 = On plots, and errors happen.
Fortinbras
8917 = Let foure Captaines
15105 = Beare Hamlet like a Soldier to the Stage,
14203 = For he was likely, had he beene put on
12980 = To haue prou’d most royally:
7504 = And for his passage,
22923 = The Souldiours Musicke, and the rites of Warre
9882 = Speake lowdly for him.
15535 = Take vp the body; Such a sight as this
18956 = Becomes the Field, but heere shewes much amis.
12625 = Go, bid the Souldiers shoote.
17610 = Exeunt Marching: after the which, a Peale of
9029 = Ordenance are shot off.
1117947
IV + V = 1073687 + 44260 = 1117947
***
Background
Prince Hamlet personifies Cosmic Creative Power whose mission extends over a Platonic Great Year of 25920 calendar years. This is the period in which the equinoctial points complete one whole circle around the Twelve Houses of the Zodiac.
In creation myth, The Thirteenth House, Ophiuchus or Serpent Holder, plays a Guardian role to ensure that creative strife between the forces of Light and Darkness do not go out of hand so as to prevent the creative process from running its full course.
The entry of Cosmic Creative Power from above into the Darkness below (Hell) sets in motion a creative process marked by Strife between Light and Darkness, Spirit and Matter, Platonic Same and Platonic Other. In the final scene, this is what Prince Hamlet describes to his friend Horatio as ‘a kind of fighting in his heart’ that would not let him sleep.
The Cosmic Creative Process begins with Hieros Gamos – Royal Intercourse – between King and Queen and, in Shakespeare’s play, ends with an off-stage ‘consummation devoutly to be wish’d’ between Prince Hamlet and Virgin Ophelia in Heaven as alluded to by the statement at play’s end after all players have exited – ”after the which a peal of Ordenance are shot off.”
***
III. Sweet Prince Hamlet – Cosmic Creative Power
(Construction G. T.)
148262
Markers on the Cosmic Clock
4956 = Aquarius
3577 = Pisces
2443 = Aries
4611 = Taurus
2514 = Gemini
2589 = Cancer
1392 = Leo
3180 = Virgo
1939 = Libra
4594 = Scorpio
6729 = Sagittarius
6795 = Capricornus
Prince Hamlet‘s Dual Roles
Light
10125 = Sannr Maðr ok Sannr Guð – True Man and True God – Icelandic term for Jesús Kristr
Darkness
-4000 = Dark Sword – Man-Beast
Malachy’s Prophecy¹
FINIS
13831 = In persecutione extrema S.R.E.
12051 = sedebit Petrus Romanus,
22136 = qui pascet oues in multis tribulationibus:
26227 = quibus transactis ciuitas septicollis diruetur,
22573 = & Iudex tremêdus iudicabit populum suum.
2600 = Finis.
148262
***
Background
At dawn of the Seventh Day of Creation in Hebrew Myth, the Holy Name of JHWH is held to split down the middle into Male and Female parts. In this context, Prince Hamlet is mythical Man of Seventh Day whose mission is to unite the Male and Female parts to that the Holy Name of JHWH may be restored in Creation. That is said to be “the purpose of our world“.
In the final scene of Hamlet, the Prince exits Creation for a“consummation devoutly to be wish‘d“ with Virgin Ophelia in Heaven. Left on stage are the bodies of King Claudius, 4470, and Queen Gertrude, 4520. Yet, theirs is also a happy ending, for their “deaths“ represent farewell to the tempestuous and “rotten state of Denmarke“ and their joint transformation into Brave New World, 8990, as in 4470 + 4520 = 8990.
At the end of Snorri Sturluson‘s Gylfaginning , the confusing multiplicity of characters, times and places addressed in this note is explained (see Appendix). Here it remains to be seen how the Four Horsemen of the Apocalypse fit into the number symbolic imagery outlined above in connection with both Macbeth and Hamlet.
***
IV. The Four Horsemen of the Apocalypse
(Revelations, Ch. VI, King James Bible 1611)
1073687
6:1
19795 = And I sawe when the Lambe opened one of the seales,
17848 = and I heard as it were the noise of thunder,
16815 = one of the foure beasts, saying, Come and see.
6:2
14039 = And I saw, and behold, a white horse,
12335 = and hee that sate on him had a bowe,
15372 = and a crowne was given vnto him,
21931 = and hee went foorth conquering, and to conquere.
6:3
14520 = And when hee had opened the second seale,
14430 = I heard the second beast say, Come and see.
6:4
22660 = And there went out another horse that was red:
21666 = and power was giuen to him that sate thereon
11173 = to take peace from the earth,
15713 = and that they should kill one another:
20193 = and there was giuen vnto him a great sword.
6:5
14263 = And when hee had opened the third seale,
14173 = I heard the third beast say, Come and see.
10101 = And I beheld, and loe, a blacke horse:
19450 = and hee that sate on him had a paire of balances in his hand.
6:6
21500 = And I heard a voice in the midst of the foure beastes say,
12453 = A measure of wheate for a penie,
15160 = and three measures of barley for a penie,
19206 = and see thou hurt not the oyle and the wine.
6:7
15507 = And when hee had opened the fourth seale,
20600 = I heard the voice of the fourth beast say, Come and see.
6:8
11536 = And I looked, and behold, a pale horse:
14788 = & his name that sate on him was Death,
12408 = and hell followed with him:
15690 = and power was giuen vnto them,
15592 = ouer the fourth part of the earth
24791 = to kill with sword, & with hunger, and with death,
14269 = and with the beastes of the earth.
6:9
13411 = And when hee had opened the fift seale,
18679 = I saw vnder the altar, the soules of them
17217 = that were slaine for the word of God,
16560 = and for the testimony which they held.
6:10
17373 = And they cried with a lowd voice, saying,
13615 = How long, O Lord, holy and true,
17978 = doest thou not iudge and auenge our blood
14129 = on them that dwell on the earth?
6:11
23332 = And white robes were giuen vnto euery one of them,
11871 = and it was sayd vnto them,
20969 = that they should rest yet for a little season,
25936 = vntill their fellow seruants also, and their brethren
22543 = that should be killed as they were, should be fulfilled.
6:12
16629 = And I beheld when he had opened the sixt seale,
15035 = and loe, there was a great earthquake,
17904 = and the Sunne became blacke as sackecloth of haire,
9823 = and the Moone became as blood.
6:13
18990 = And the starres of heauen fell vnto the earth,
18593 = euen as a figge tree casteth her vntimely figs
15862 = when she is shaken of a mighty winde.
6:14
27887 = And the heauen departed as a scrowle when it is rolled together,
26877 = and euery mountaine and Island were moued out of their places.
6:15
21858 = And the kings of the earth, and the great men, and the rich men,
15453 = and the chiefe captaines, and the mighty men,
12536 = and euery bondman, and euery free man,
27229 = hid themselues in the dennes and in the rockes of the mountaines,
6:16
15800 = And said to the mountaines and rockes,
15564 = Fall on vs, and hide vs from the face of him
26050 = that sitteth on the throne, and from the wrath of the Lambe:
6:17
16319 = For the great day of his wrath is come;
11688 = and who shall be able to stand?
1073687
V. All the rest left to Lady Macbeth
(The Great Day of His Wrath is Come, # VII)
44260
Man-Beast
-4000 = Dark Sword – Man-Beast
The dunnest smoake of Hell
11587 = Character Assassination
5881 = Níðingsverk – Barbarity
7750 = Psychiatric Rape
6603 = Mannorðsmorð – Vicious Slander
16439 = Criminal Obstruction of Justice
44260
Again, IV + V = 1073687 + 44260 = 1117947, the Cipher Value of the final scene in Hamlet.
***
Calculator for converting letters to cipher values is at:
http://www.light-of-truth.com/ciphersaga.htm
¹Translation
In extreme persecution, the seat of the Holy Roman Church
will be occupied by Peter the Roman,
who will feed the sheep through many tribulations;
when they are over, the city of seven hills will be destroyed,
and the terrible or fearsome Judge will judge his people. The End.
Appendix
Gylfaginning Ch. 54
Því næst heyrði Gangleri dyni mikla hvern veg frá sér ok leit út á hlið sér. Ok þá er hann sést meir um, þá stendr hann úti á sléttum velli, sér þá enga höll ok enga borg. Gengr hann þá leið sína braut ok kemr heim í ríki sitt ok segir þau tíðendi, er hann hefir sét ok heyrt, ok eftir honum sagði hverr maðr öðrum þessar sögur.
En æsir setjast þá á tal ok ráða ráðum sínum ok minnast á þessar frásagnir allar, er honum váru sagðar, ok gefa nöfn þessi in sömu, er áðr eru nefnd, mönnum ok stöðum þeim, er þar váru, til þess, at þá er langar stundir liði, at menn skyldu ekki ifast í, at allir væri einir þeir æsir, er nú var frá sagt, ok þessir, er þá váru þau sömu nöfn gefin.
Translation
(Internet)
Thereupon Gangleri heard great noises on every side of him; and then, when he had looked about him more, lo, he stood out of doors on a level plain, and saw no hall there and no castle. Then he went his way forth and came home into his kingdom, and told those tidings which he had seen and heard; and after him each man told these tales to the other.
But the Æsir sat them down to speak together, and took counsel and recalled all these tales which had been told to him. And they gave these same names that were named before to those men and places that were there, to the end that when long ages should have passed away, men should not doubt thereof, that those Æsir that were but now spoken of, and these to whom the same names were then given, were all one.