© Gunnar Tómasson

4 May 2018

I. Enter Fortinbras and English Ambassador

(Hamlet, Act V, Sc. ii. First Folio 1623)

852451

16923 = Enter Fortinbras and English Ambassador,

18137 = with Drumme, Colours, and Attendants.

Fortinbras:

10437 = Where is this sight?

Horatio:

12180 = What is it ye would see;

21128 = If ought of woe, or wonder, cease your search.

Fortinbras:

18987 = His quarry cries on hauocke.  Oh proud death,

20646 = What feast is toward in thine eternall Cell.

17251 = That thou so many Princes, at a shoote,

11980 = So bloodily hast strooke.

Ambassador:

8962 = The sight is dismall,

17034 = And our affaires from England come too late,

22958 = The eares are senselesse that should giue vs hearing,

17106 = To tell him his command’ment is fulfill’d

17885 = That Rosincrance and Guildensterne are dead:

16857 = Where should we haue our thankes?

Horatio:

9607 = Not from his mouth,

15062 = Had it th’abilitie of life to thanke you:

16660 = He neuer gaue command’ment for their death.

22657 = But since so jumpe vpon this bloodie question,

20905 = You from the Polake warres, and you from England

18723 = Are heere arriued.  Giue order that these bodies

14365 = High on a stage be placed to the view,

20828 = And let me speake to th’yet vnknowing world,

20781 = How these things came about.  So shall you heare

16187 = Of carnall, bloudie, and vnnaturall acts,

20116 = Of accidentall iudgements, casuall slaughters

17748 = Of death’s put on by cunning, and forc’d cause,

19567 = And in this vpshot, purposes mistooke,

17470 = Falne on the Inuentors heads.  All this can I

7002 = Truly deliuer.

Fortinbras:

10425 = Let vs hast to heare it,

14076 = And call the Noblest to the Audience.

20198 = For me, with sorrow, I embrace my Fortune,

18870 = I haue some Rites of memory in this Kingdome,

14639 = Which are ro claime my vantage doth                   [ro=First Folio text]

4289 = Inuite me.

Horatio:

18476 = Of that I shall haue alwayes cause to speake,

8322 = And from his mouth

16597 = Whose voyce will draw on more:

17888 = But let this same be presently perform’d,

15823 = Even whiles mens mindes are wilde,

8809 = Lest more mischance

12621 = On plots, and errors happen.

Fortinbras:

8917 = Let foure Captaines

15105 = Beare Hamlet like a Soldier to the Stage,

14203 = For he was likely, had he beene put on

12980 = To haue prou’d most royally:

7504 = And for his passage,

22923 = The Souldiours Musicke, and the rites of Warre

9882 = Speake lowdly for him.

15535 = Take vp the body; Such a sight as this

18956 = Becomes the Field, but heere shewes much amis.

12625 = Go, bid the Souldiers shoote.

17610 = Exeunt Marching: after the which, a Peale of      

9029 = Ordenance are shot off.

852451

II. The Noblest – Four Captaines – Christ Consciousness

(Construction G. T.)

178700

The Noblest

        1 = Monad

4335 = Kristr – Icelandic

1000 = Light of the World

Four Captaines/Royal Stars

Heralds of Christ Consciousness¹

2682 = Aldebaran

4672 = Regulus

3583 = Antares

4385 = Fomalhaut

Embodied

Christ Consciousness

4946 = Socrates

1654 = ION

3412 = Platon

14209 = Quintus Horatius Flaccus

12337 = Publius Virgilius Maro

11999 = Sextus Propertius

11249 = Publius Ovidius Naso

11359 = Snorri Sturluson

9814 = Sturla Þórðarson

5385 = Francis Bacon

7936 = Edward Oxenford

4692 = Ben Jonson

8525 = Gunnar Tómasson

12385 = Guðrún Ólafía Jónsdóttir

Archetypal Prince Hamlet/Virgin Ophelia

“Dead“ – Liberated from

The Seat of the Lower Emotions²

 -2487 = Anus

As Above, So Below³

The Zodiac

4956 = Aquarius

3577 = Pisces

2443 = Aries

4611 = Taurus

2514 = Gemini

2589 = Cancer

1392 = Leo

3180 = Virgo

1939 = Libra

4594 = Scorpio

6729 = Sagittarius

6795 = Capricornus

178700

I + II = 852451 + 178700 = 1031151

III. Make no collection of it. Let him shew

His skill in the construction.

(Cymbeline. First Folio Omega Page)

1031151

 [Posthumus]

16581 = Make no collection of it.  Let him shew

15289 = His skill in the construction.

Lucius

6498 = Philarmonus.

Soothsayer

6928 = Heere, my good lord.

Lucius

9000 = Read, and declare the meaning.

2471 = Reades.

24167 = When as a Lyons whelpe, shall to himselfe vnknown,

11006 = without seeking finde,

11809 = and bee embrac‘d by a peece of tender Ayre:

21082 = And when from a stately Cedar shall be lopt branches,

18501 = which being dead many yeares shall after reuiue,

20237 = bee iyonted to the old Stocke, and freshly grow,

18503 = then shall Posthumus end his miseries,

22220 = Britaine be fortunate, and flourish in Peace and Plentie.

18025 = Thou Leonatus art the Lyons Whelpe,

18080 =  The fit and apt Construction of thy name

16575 = Being Leonatus, doth import so much:

20848 = The peece of tender Ayre, thy vertuous Daughter,

17353 = Which we call Mollis Aer, and Mollis Aer

19924 = We terme it Mulier; which Mulier I diuine

22895 = Is this most constant Wife, who euen now

16165 = Answering the Letter of the Oracle,

24035 = Vnknowne to you vnsought, were clipt about

13804 = With this most tender Aire.

Cymbeline

9907 = This hath some seeming.

Soothsayer

12593 = The lofty Cedar, Royall Cymbeline

19881 = Personates thee: And thy lopt branches point

23355 = Thy two Sonnes forth: who by Belarius stolne

19175 = For many yeares thought dead, are now reuiu‘d

19300 = To the Maiesticke Cedar ioyn‘d; whose Issue

14591 = Promises Britaine, Peace and Plenty.

Cymbeline

3134 = Well,

17579 = My Peace we will begin:  And Caius Lucius,

20040 = Although the Victor, we submit to Cæsar,

15143 = And to the Romane Empire; promising

21441 = To pay our wonted Tribute, from the which

20009 = We were disswaded by our wicked Queene,

20001 = Whom heauens in Iustice both on her, and hers,

9168 = Haue laid most heauy hand.

Soothsayer

18314 = The fingers of the powres aboue, do tune

15670 = The harmony of this Peace;  the Vision

21926 = Which I made knowne to Lucius ere the stroke

21601 = Of yet this scarse-cold-Battaile, at this instant

16814 = Is full accomplish‘d. For the Romaine Eagle

22300 = From South to West, on wing soaring aloft

16956 = Lessen‘d her selfe, and in the Beames o‘th‘Sun

22102 = So vanish‘d: which foreshew‘d our Princely Eagle,

16441 = Th‘Imperiall Cæsar, should againe vnite

17178 = His Fauour, with the Radiant Cymbeline,

15261 = Which shines heere in the West.

Cymbeline

7510 = Laud we the Gods,

24502 = And let our crooked Smoakes climbe to their Nostrils

21051 = From our blest Altars.  Publish we this Peace

20587 = To all our Subiects.  Set we forward:  Let

14971 = A Roman, and a Brittish Ensigne waue

23065 = Friendly together: so through Luds-Towne march,

14265 = And in the Temple of great Iupiter

20329 = Our Peace wee‘l ratifie:  Seale it with Feasts.

18177 = Set on there:  Neuer was a Warre did cease

20903 = (Ere bloodie hands were wash‘d) with such a Peace.

3915 = Exeunt.

1031151 

***

Calculator for converting letters to cipher values is at:

http://www.light-of-truth.com/ciphersaga.htm

¹Four Royal Stars

http://ascensionglossary.com/index.php/Four_Royal_Stars

The Four Royal Stars also called Archangel Stars are; Aldebaran (Michael), Regulus (Raphael), Antares (Uriel), and Fomalhaut (Gabriel). They are the brightest stars in their constellations and are considered the four guardians of the heavens. They mark seasonal changes of the year at the equinoxes and solstices. Aldebaran watches the Eastern sky and is the dominant star in the Taurus constellation. Regulus watches the North and is the dominant star in the Leo constellation. Antares watches the West and is the alpha star in Scorpio. Fomalhaut watches the Southern sky as the brightest star in Piscis Austrinus.

Cosmic Time Cycle

The East-West Axis of Aldebaran (Taurus) and Antares (Scorpio) as a pair, form the demarcation points of East and West that make the circuit through the Precession of the Equinoxes. This point is measured through the alignments made between these two stars and the Sun’s path, at their axis of rotation made around the Galactic Center. When these two stars are paired in the rotational measurement of equal axis alignment, this event marks the opening of the cosmic time cycle. When The Golden Gate activated recently, this reversed the positional movement of the East –West axis as per directed in the Divine Infinite Calculus. This is saying that these stars have changed their positions in the Galaxy from their previous time cycle, from the perspective of Cosmic Time. These stars form the Four Cardinal Directions (N-S-E-W) measured in the Cosmic Time Cycle, which are being adjusted to the Cosmic Compass designed by Divine Infinite Calculus. The new celestial direction in the cosmic time cycle form the Crown of the Magi, which is a type of Cosmic Celestial Time Calendar that opens Infinity. This is why they are referred to as the Four Royal Stars. At the end of the Precession of Equinoxes, they adjust position and form the Crown of the Magi. Those that wear this Celestial Crown are able to contact infinity, however, they must be embodied Christ Consciousness.

²As above, so below

The term, As above, so below was recorded in the Hermetic texts from The Emerald Tablet of Hermes Trismegistus, which states: That which is Below corresponds to that which is Above, and that which is Above corresponds to that which is Below, to accomplish the miracle of the One Thing. (Wikipedia)

³World Age of Degeneration

And the Zodiac

 (Giorgio Santillana, Hamlet’s Mill)

Here is a character [Prince Hamlet] deeply present to our awareness, in whom ambiguities and uncertainties, tormented self-questioning and dispassionate insight give a presentiment of the modern mind.  His personal drama was that he had to be a hero, but still try to avoid the role Destiny assigned him.  His lucid intellect remained above the conflict of motives – in other words, his was and is a truly contemporary consciousness.  And yet this character whom the poet made one of us, the first unhappy intellectual, concealed a past as a legendary being, his features predetermined, preshaped by long-standing myth.  There was a numinous aura around him, and many clues led up to him.  But it was a surprise to find behind the mask an ancient and all-embracing cosmic power – the original master of the dreamed-of first age of the world.

Yet in all his guises he remained strangely himself.  The original Amlóði, as his name was in Icelandic legend, shows the same characteristics of melancholy and high intellect.  He, too, is a son dedicated to avenge his father, a speaker of cryptic but inescapable truths, an elusive carrier of Fate who must yield once his mission is accomplished and sink once more into concealment in the depths of time to which he belongs:  Lord of the Golden Age, the Once and Future King.

[…]

Amlóði was identified, in the crude and vivid imagery of the Norse, by the ownership of a fabled mill which, in his own time, ground out peace and plenty.  Later, in decaying times, it ground out salt; and now finally, having landed at the bottom of the sea, it is grinding rock and sand, creating a vast whirlpool, the Maelstrom (i.e. the grinding stream, from the [Icelandic] verb mala, „to grind“), which is supposed to be a way to the land of the dead.  This imagery stands, as the evidence develops, for an astronomical process, the secular shifting of the sun through the signs of the zodiac which determines world-ages, each numbering thousands of years.  Each age brings a World Era, a Twilight of the Gods.  Great structures collapse; pillars topple which supported the great fabric; floods and cataclysms herald the shaping of a new world. (Hamlet’s Mill – An Essay on Myth and the Frame of Time, 1969; David R. Godine, Publisher, Boston, 1983, pp. 1-2.)