© Gunnar Tómasson
15 April 2018
PROLOGUE
Section I
Grass Conceals And Rain Blots Out
(Les Misérables, Omega Chapter)
In the Père-Lachaise cemetery, in the neighborhood of the potters’ field, far from the elegant quarter of that city of sepulchers, far from all those fantastic tombs that display in presence of eternity the hideous fashions of death, in a deserted corner, beside an old wall, beneath a great yew on which the bindweed climbs, among the dog-grass and the mosses, there is a stone. This stone is exempt no more than the rest from the leprosy of time, from the mold, the lichen, and the birds’ droppings. The air turns it black, the water green. It is near no path, and people do not like to go in that direction, because the grass is high, and they would wet their feet. All around there is a rustling of wild oats. In spring, the linnets come to sing in the tree.
This stone is entirely blank. The only thought in cutting it was of the essentials of the grave, and there was no other care than to make this stone long enough and narrow enough to cover a man. No name can be read there. Only many years ago, a hand wrote on it in pencil these four lines, which have gradually become illegible under the rain and the dust, and are probably gone by now:
23994 = Il dort. Quoique le sort fût pour lui bien étrange.
22982 = Il vivait. Il mourut quand il n’eut plus son ange.
15117 = La chose simplement d’elle-même arriva,
19824 = Comme la nuit se fait lorsque le jour s’en va.
81917
He is asleep. Though his mettle was sorely tried,
He lived, and when he lost his angel, died.
It happened calmly, on its own,
The way night comes when day is done.
Who’s there?
96818
Angel
1000 = Light of the World
-4000 = Dark Sword – Man-Beast
Time and Space
Personified
9132 = Kári Sölmundarson – Saga Myth
Man of No Name
81917 = Lost his Angel and Died
Who‘s there?
3781 = The Pope
4988 = The Vatican
96818
Malachy‘s
Last Pope Prophecy
96818
13831 = In persecutione extrema S.R.E.
12051 = sedebit Petrus Romanus,
22136 = qui pascet oues in multis tribulationibus:
26227 = quibus transactis ciuitas septicollis diruetur,
19973 = & Iudex tremêdus iudicabit populum suum.
2600 = Finis.
96818
In extreme persecution, the seat of the Holy Roman Church will be occupied by Peter the Roman, who will feed the sheep through many tribulations; when they are over, the city of seven hills will be destroyed, and the terrible or fearsome Judge will judge his people. The End.
Section II
Le Serpent Rouge
141734
16676 = Avant de lire les lignes qui suivent,
16583 = Au lecteur de daigner se souvenir qu’
19829 = “ …après un long sommeil, les mêmes hypothèses
24565 = ressucistent, sans doute nous reviennent-elles
20775 = avec des vêtements neufs et plus riches, mais
17557 = le fond reste le même et le masque nouveau
19200 = dont elles s’affublent ne saurait tromper
6549 = l’homme de science…“
141734
Before reading the following lines, the reader might remember that “…after a long sleep, the same theories reappear, without doubt they return to us with new, richer clothes, but the foundation remains the same and the new mask which they wear should not mislead the man of knowledge…“ – Williamson/Hughes translation.
Man of Knowledge
(Construction G. T.)
141734
8063 = Le Serpent Rouge
Satan
-1000 = Darkness
Cosmic Time
25920 = Platonic Great Year
Sword of Truth
4000 = Flaming Sword
Man of No Name
96818 = The Last Pope
Stratfordian Shakspere‘s
Family Motto
7933 = NON, SANZ DROICT – No, Without Right
141734
Section III
Structure of Gylfaginning
Alpha and Omega
Snorri Sturluson‘s Gylfaginning concerns Man‘s Quest for Knowledge of Man‘s own Creation as part Matter/Earth and part Spirit. The first two chapters describe the prelude to the Instruction received by Gangleri in Háva Höll (Palace of the Highest) in the following chapters.
Immediately after Gangleri has concluded his Quest and become “Fróðari” – Wiser – Gylfaginning ends with a short Chapter 54 where Gangleri, as if awakened from a dream, finds himself on a plain field where Háva Höll and his Tri-Unite Instructor (Hárr/High, Jafnhárr/Equally high and Þriði/Third) are nowhere to be seen.
Gangleri then goes home and shares with others tales of what he has seen and heard. His listeners then related these “stories“ to others. The brief last chapter ends with a statement to the effect that at some distant time people would not “doubt“ that all the characters and events described in the tales concern ONE rather than MANY beings.
I construe this to mean that the Quest for Knowledge is INTERNAL to Man‘s Mind, defined by the stories told in Chapters 3-53.
In Cipher Form, this construction may be expressed by the sum 5327 + 4000 = 9327, as in 4819 + 6960 – 5596 + 3144 = 9327, where
5327 = Brennu-Njáll
4000 = Flaming Sword/Cosmic Creative Power
9327
and
4819 = Gylfaginning
6960 = Jarðlig skilning – Earthly Understanding
-5596 = Andlig spekðin – Spiritual Wisdom
3144 = Commedia – Dante
9327
***
I. Gylfaginning
(Alpha and Omega)
1352656
Origin
1 = Monad
Alpha
1218946 = # I, Gylfaginning – King James Bible – Kabbalah, 14 April 2018.
Omega*
(Ch. 54)
14393 = Því næst heyrði Gangleri dyni mikla
16178 = hvern veg frá sér ok leit út á hlið sér.
11191 = Ok þá er hann sést meir um,
16190 = þá stendr hann úti á sléttum velli,
10406 = sér þá enga höll ok enga borg.
21510 = Gengr hann þá leið sína braut ok kemr heim í ríki sitt
19469 = ok segir þau tíðendi, er hann hefir sét ok heyrt,
24372 = ok eftir honum sagði hverr maðr öðrum þessar sögur.
1352656
*Thereupon Gangleri heard great noises on every side of him; and then, when he had looked about him more, lo, he stood out of doors on a level plain, and saw no hall there and no castle. Then he went his way forth and came home into his kingdom, and told those tidings which he had seen and heard; and after him each man told these tales to the other.
II. Seven Shakespeare Sonnets of Light
(See Appendix 1)
1881639
I + III = 1352656 + 528983 = 1881639
III. Ben Jonson Remembers Shakespeare
(Discoveries etc.)
528983
19116 = I remember, the Players have often mentioned it
22552 = as an honour to Shakespeare, that in his writing,
21394 = (whatsoever he penn’d) hee never blotted out line.
22406 = My answer hath beene, would he had blotted a thousand.
18121 = Which they thought a malevolent speech.
24813 = I had not told posterity this but for their ignorance,
15271 = who choose that circumstance
22022 = to commend their friend by, wherein he most faulted.
22162 = And to justifie mine owne candor, for I lov’d the man,
25920 = and doe honour his memory (on this side Idolatry) as much as any.
19837 = Hee was (indeed) honest, and of an open, and free nature;
10140 = had an excellent Phantsie;
17853 = brave notions, and gentle expressions;
18375 = wherein hee flow’d with that facility
23484 = that sometime it was necessary he should be stop’d:
23469 = Sufflaminandus erat; as Augustus said of Haterius.
18146 = His wit was in his owne power;
16400 = would the rule of it had beene so too.
16150 = Many times hee fell into those things,
11695 = could not escape laughter:
16354 = As when hee said in the person of Cæsar,
8031 = one speaking to him:
13195 = Cæsar thou dost me wrong.
3946 = Hee replyed:
21881 = Cæsar did never wrong, but with just cause:
18145 = and such like; which were ridiculous.
20602 = But hee redeemed his vices, with his vertues.
17535 = There was ever more in him to be praysed,
7507 = then to be pardoned.
Euer more to be praysed
then to be pardoned
1000 = Light of the World
5915 = Blóð Krists – Christ’s Blood
Transformation
-6960 = Jarðlig skilning – Earthly Understanding
5596 = Andlig spekðin – Spiritual Wisdom
Man in God’s Image
7000 = Microcosmos
528983
IV. Serpent Rouge – Ten Zodiac Signs
(See Appendix 2)
1888055
II + V = 1881639 + 6416 = 1888055
V. Mörðr Valgarðsson and Le Serpent Rouge
(Construction G. T.)
6416
9060 = Mörðr Valgarðsson – Saga Personification of Evil and Earth/The Devil
-8063 = Le Serpent Rouge – The Devil’s “General of Hot Desire” – Sonnet 154
6783 = Mons Veneris – Where “The General“ is “disarmed“ in a Virgin‘s “cool well“
Symbolizing
End of Man‘s Quest for Knowledge
-6960 = Jarðlig skilning – Earthly Understanding
5596 = Andlig skilning – Spiritual Understanding
6416
VI. Le Serpent Rouge and Les Misérables
Virgo # 8
275473
A
23157 = J’étais comme les bergers du célèbre peintre POUSSIN,
15678 = perplexe devant l’enigme : “ET IN ARCADIA EGO…”!
25446 = La voix du sang allait-elle me rendre l’image d’un passé ancestral.
27347 = Oui, l’éclair du génie traversa ma pensée. Je revoyais, je comprenais!
17203 = Je savais maintenant ce secret fabuleux.
23078 = Et merveille, lors des sauts des quatre cavaliers,
32365 = les savots d’un cheval avaient laissé quatre empreintes sur la pierre,
16830 = voilà le signe que DELACROIX avait donné
20185 = dans l’un des trois tableux de la chapelle des Anges.
21670 = Voilà la septième sentence qu’une main avait tracée:
19386 = RETIRE MOI DE LA BOUE, QUE JE N’Y RESTE PAS ENFONCE.
14815 = Deux fois IS, embaumeuse et embaumée,
18313 = vase miracle de l’éternelle Dame Blanche des Légendes.
275473
I was like the shepherds of the famous painter POUSSIN, confused in front of the enigma: “ET IN ARCADIA EGO…”! The voice of the blood [race] would it show me the image of an ancestral past. Yes, the light of the genius crossed my mind. I saw again, I understood! I knew now this fabulous secret. And marvellous, when from the leaps of the four horsemen, the shoes of one horse had left four imprints on the rock, here is the sign which DELACROIX had given in one of three pictures from the chapel of Angels. Here is the seventh sentence which a hand had traced: DELIVER ME FROM THE MIRE, SO THAT I DO NOT STAY THERE SINKING. Two times IS, embalmer and embalmed, miraculous vase of the eternal White Lady of Legends.
B
Prayer
81917
19386 = RETIRE MOI DE LA BOUE, QUE JE N’Y RESTE PAS ENFONCE.
Deliverance from the Mire
Of Ignorance
-6960 = Jarðlig skilning – Earthly Understanding
5596 = Andlig spekðin – Spiritual Wisdom
FINIS
100 = The End
The First Folio 1623
16746 = The Workes of William Shakespeare,
22079 = Containing all his Comedies, Histories, and Tragedies
24970 = Truely set forth, according to their first Originall.
81917
As in
Les Misérables
Man of No Name
81917
23994 = Il dort. Quoique le sort fût pour lui bien étrange.
22982 = Il vivait. Il mourut quand il n’eut plus son ange.
15117 = La chose simplement d’elle-même arriva,
19824 = Comme la nuit se fait lorsque le jour s’en va.
81917
C
L’Homme de Science
275473
16676 = Avant de lire les lignes qui suivent,
16583 = Au lecteur de daigner se souvenir qu’
19829 = “ …après un long sommeil, les mêmes hypothèses
24565 = ressucistent, sans doute nous reviennent-elles
20775 = avec des vêtements neufs et plus riches, mais
17557 = le fond reste le même et le masque nouveau
19200 = dont elles s’affublent ne saurait tromper
6549 = l’homme de science…“
Alpha
3858 = The Devil
Omega
Man in God’s Image
7000 = Microcosmos
4946 = Socrates
1654 = ION
3412 = Platon
14209 = Quintus Horatius Flaccus
12337 = Publius Virgilius Maro
11999 = Sextus Propertius
11249 = Publius Ovidius Naso
11359 = Snorri Sturluson
9814 = Sturla Þórðarson
5385 = Francis Bacon
7936 = Edward Oxenford
7671 = O RARE BEN JOHNSON
8525 = Gunnar Tómasson
12385 = Guðrún Ólafía Jónsdóttir
275473
As in
# 8 Virgo
275473
***
Calculator for converting letters to cipher values is at:
http://www.light-of-truth.com/ciphersaga.htm
APPENDIX 1
Seven Sonnets of Light
(Shakespeares Sonnets, 1609)
1881639
Sonnet 1
19985 = From fairest creatures we desire increase,
18119 = That thereby beauties Rose might neuer die,
16058 = But as the riper should by time decease,
15741 = His tender heire might beare his memory:
22210 = But thou contracted to thine own bright eyes,
25851 = Feed’st thy lights flame with selfe substantiall fewell,
14093 = Making a famine where aboundance lies,
22081 = Thy selfe thy foe, to thy sweet selfe too cruell:
23669 = Thou that art now the worlds fresh ornament,
15027 = And only herauld to the gaudy spring,
21957 = Within thine own bud buriest thy content,
18648 = And, tender chorle, makst wast in niggarding:
20168 = Pitty the world, or else this glutton be,
18054 = To eate the worlds due, by the graue and thee.
271661
Sonnet 7
19288 = Loe in the Orient when the gracious light,
15837 = Lifts vp his burning head, each vnder eye
17188 = Doth homage to his new appearing sight,
19133 = Seruing with lookes his sacred maiesty,
17351 = And hauing climb’d the steepe vp heauenly hill,
17647 = Resembling strong youth in his middle age,
18670 = Yet mortall lookes adore his beauty still,
14997 = Attending on his goulden pilgrimage:
22160 = But when from high-most pich with wery car,
12291 = Like feeble age he reeleth from the day,
19626 = The eyes (fore dutious) now conuerted are
19670 = From his low tract and looke an other way:
18341 = So thou,thy selfe out-going in thy noon:
18931 = Vnlok’d on diest vnlesse thou get a sonne.
251130
Sonnet 38
20302 = How can my Muse want subiect to inuent
25184 = While thou dost breath that poor’st into my verse,
20713 = Thine owne sweet argument, to excellent,
15780 = For euery vulgar paper to rehearse:
17576 = Oh giue thy selfe the thankes if ought in me,
19896 = Worthy perusal stand against thy sight,
22383 = For who’s so dumbe that cannot write to thee,
22345 = When thou thy selfe dost giue inuention light?
23070 = Be thou the tenth Muse, ten times more in worth
19892 = Then those old nine which rimers inuocate,
17495 = And he that calls on thee, let him bring forth
17195 = Eternal numbers to out-liue long date.
21113 = If my slight Muse doe please these curious daies,
16968 = The paine be mine, but thine shal be the praise.
279912
Sonnet 43
20351 = When most I winke then doe mine eyes best see,
20262 = For all the day they view things vnrespected,
19695 = But when I sleepe, in dreames they looke on thee,
17000 = And darkely bright, are bright in darke directed.
25354 = Then thou whose shaddow shaddowes doth make bright,
25288 = How would thy shadowes forme, forme happy show,
19785 = To the cleere day with thy much cleerer light,
19088 = When to vn-seeing eyes thy shade shines so?
17035 = How would (I say) mine eyes be blessed made,
13558 = By looking on thee in the liuing day ?
18421 = When in dead night their faire imperfect shade,
22452 = Through heauy sleepe on sightlesse eyes doth stay?
16387 = All dayes are nights to see till I see thee,
21878 = And nights bright daies when dreams do shew thee me,
276554
Sonnet 60
21623 = Like as the waues make towards the pibled shore,
18271 = So do our minuites hasten to their end,
20062 = Each changing place with that which goes before,
19565 = In sequent toile all forwards do contend.
14474 = Natiuity once in the maine of light.
24991 = Crawles to maturity, wherewith being crown’d,
17778 = Crooked eclipses gainst his glory fight,
20187 = And time that gaue, doth now his gift confound.
21643 = Time doth transfixe the florish set on youth,
17533 = And delues the paralels in beauties brow,
18854 = Feedes on the rarities of natures truth,
21278 = And nothing stands but for his sieth to mow.
19109 = And yet to times in hope, my verse shall stand
21292 = Praising thy worth, dispight his cruell hand.
276660
Sonnet 88
19390 = VVhen thou shalt be dispode to set me light,
15501 = And place my merrit in the eie of skorne,
16242 = Vpon thy side, against my selfe ile fight,
27707 = And proue thee virtuous, though thou art forsworne:
22944 = With mine owne weakenesse being best acquainted,
18026 = Vpon thy part I can set downe a story
17679 = Of faults conceald, wherein I am attainted:
21302 = That thou in loosing me shall win much glory:
12381 = And I by this wil be a gainer too,
18115 = For bending all my louing thoughts on thee,
14789 = The iniuries that to my selfe I doe,
13031 = Doing thee vantage, duble vantage me.
15020 = Such is my loue, to thee I so belong,
21914 = That for thy right, my selfe will beare all wrong.
254041
Sonnet 100
24769 = VVhere art thou Muse that thou forgetst so long,
20878 = To speake of that which giues thee all thy might?
25423 = Spendst thou thy furie on some worthlesse songe,
21327 = Darkning thy powre to lend base subiects light.
20767 = Returne forgetfull Muse, and straight redeeme,
16672 = In gentle numbers time so idely spent,
18277 = Sing to the eare that doth thy laies esteeme,
17044 = And giues thy pen both skill and argument.
21803 = Rise resty Muse, my loues sweet face suruay,
15956 = If time haue any wrincle grauen there,
8543 = If any, be a Satire to decay,
19670 = And make times spoiles dispised euery where.
19931 = Giue my loue fame faster then time wasts life,
20621 = So thou preuenst his sieth, and crooked knife.
271681
Sonnets # 1, 7, 38, 43, 60, 88, 100 =
271661 + 251130 + 279912 + 276554 + 276660 + 254041 + 271681 = 1881639
APPENDIX 2
Ten Zodiac Signs
Le Serpent Rouge – Translation
(Marcus Williamson and Corella Hughes)
# 1 Aquarius
22621 = Comme ils sont étranges les manuscrits de cet Ami,
27592 = grand voyageur de l’inconnu, ils me sont parvenus séparément,
34910 = pourtant ils forment un tout pour lui qui sait que les couleurs
14359 = de l’arc-en-ciel donnent l’unité blanche,
20561 = ou pour l’Artiste qui sous son pinceau,
24266 = fait des six teintes de sa palette magique, jaillir le noir.
144309
How strange are the manuscripts of this Friend, great traveller of the unknown, they appeared to me separately, yet they form a whole for him who knows that the colours of the rainbow give a white unity, or for the Artist for whom the black springs out from under his paintbrush, made from the six colours of his magic palette.
# 2 Pisces
16136 = Cet Ami, comment vous le présenter?
12543 = Son nom demeura un mystère,
18511 = mais son nombre est celui d’un sceau célèbre.
11296 = Comment vous le décrire?
22663 = Peut-être comme le nautonnier de l’arche imperissable,
12594 = impassible comme une colonne
26909 = sur son roc blanc, scrutant vers le midi, au-delà du roc noir.
120652
This Friend, how to introduce him to you? His name remained a mystery, but his number is that of a famous seal. How to describe him to you? Perhaps like the pilot of the indestructible ark, impassive like a column on his white rock scanning towards the south beyond the black rock.
# 3 Aries
23983 = Dans mon pélérinage eprouvant, je tentais de me frayer à l’epée
23897 = une voie à travers la végétation inextricable des bois,
22798 = je voulais parvenir à la demeure de la BELLE endormie en qui
24117 = certains poètes voient la REINE d’un royaume disparu.
16258 = Au désespoir de retrouver le chemin,
22658 = les parchemins de cet Ami furent pour moi le fil d’Ariane.
133711
During my testing pilgrimage I tried to clear a path with the sword, cossing the inextricable vegetation of the woods, I wanted to reach the residence of the sleeping BEAUTY in whom certain poets saw the QUEEN of a past realm. In desperation of finding my way again the parchments of this Friend were for me, the thread of Ariadne.
# 4 Taurus
22275 = Grâce à lui, désormais à pas mesurés et d’un oeil sur,
35144 = je puis decouvrir les soixante-quatre pierres dispersées du cube parfait
15210 = que les Frères de la BELLE du bois noir
20778 = échappant à la poursuite des usurpateurs,
27212 = avaient semées en route quant ils s’enfuirent du Fort blanc.
120619
Thanks to him, from now on by measured steps and a sure eye, I can discover the sixty-four dispersed stones of the perfect cube that the brothers of the BEAUTY of the black wood escaping in the pursuit of the usurpers, had scattered on their way whilst they fled from the white Fort.
# 5 Gemini
29966 = Rassembler les pierres éparses, oeuvrer de l’équerre et du compas
17308 = pour les remettre en order régulier,
23544 = chercher la ligne du méridien en allant de l’Orient à l’Occident,
13099 = puis regardant du Midi au Nord,
25063 = enfin en tous sens pour obtenir la solution cherchée,
31779 = faisant station devant les quatorze pierres marquées d’une croix.
15148 = Le cercle étant l’anneau et couronne,
15429 = et lui le diadème de cette REINE du Castel.
171336
To reassemble the scattered stones, work with the square and compass to put them back in regular order, look for the line of the meridian in going from the East to the West, then looking from the South to the North, finally in all directions to obtain the desired solution, stopping in front of the fourteen stones with a cross. The circle being the ring and the crown, and to him the diadem of this QUEEN of Castel.
# 6 Cancer
17455 = Les dalles du pavé mosaïque du lieu sacré
24056 = pouvaient-être alternativement blanches ou noires,
22989 = et JESUS comme ASMODEE observer leurs alignments,
17399 = ma vue semblait incapable de voir le sommet
18603 = où demeurait cachée la merveilleuse endormie.
17622 = N’étant pas HERCULE à la puissance magique,
20406 = comment déchiffrer les mystérieux symboles
18007 = gravés par les observateurs du passé.
31136 = Dans le sanctuaire pourtant le bénitier, fontaine d’amour des croyants
23349 = redonne mémoire de ces mots : PAR CE SIGNE TU le VAINCRAS.
211022
The stones of the mosaic paving of the sacred place could be alternatively black or white, and JESUS like ASMODEUS, observing their alignment, my view seems incapable of seeing the summit where the marvellous sleeping one remained hidden. Not being HERCULES with magic power, how to decode the mysterious symbols carved by the observers of the past. In the sanctuary however the stoup, fountain of love of the believers, reminds us of these words: BY THIS SIGN YOU SHALL CONQUER.
# 7 Leo
21531 = De celle que je désirais libérer, montaient vers moi
24851 = les effluves du parfum qui imprégnèrent le sépulchre.
12599 = Jadis les uns l’avaient nommée:
16867 = ISIS, reine des sources bienfaisantes,
19012 = VENEZ A MOI VOUS TOUS QUI SOUFFREZ
18570 = ET QUI ETES ACCABLES ET JE VOUS SOULAGERAI,
6982 = d’autres: MADELAINE,
18340 = au célèbre vase plein d’un baume guérisseur.
26660 = Les initiés savent son nom véritable: NOTRE DAME DES CROSS.
165412
From her that I wanted to free, rose towards me the emanations of perfume which permeate the sepulchre. Once some called her: ISIS, queen of the beneficent springs, COME TO ME ALL YOU WHO SUFFER AND WHO ARE OVERWHELMED AND I WILL COMFORT YOU, otherwise: MADELEINE, with the famous vase full of healing balm. The initiates know the true name: NOTRE DAME DES CROSS.
# 8 Virgo
23157 = J’étais comme les bergers du célèbre peintre POUSSIN,
15678 = perplexe devant l’enigme : “ET IN ARCADIA EGO…”!
25446 = La voix du sang allait-elle me rendre l’image d’un passé ancestral.
27347 = Oui, l’éclair du génie traversa ma pensée. Je revoyais, je comprenais!
17203 = Je savais maintenant ce secret fabuleux.
23078 = Et merveille, lors des sauts des quatre cavaliers,
32365 = les savots d’un cheval avaient laissé quatre empreintes sur la pierre,
16830 = voilà le signe que DELACROIX avait donné
20185 = dans l’un des trois tableux de la chapelle des Anges.
21670 = Voilà la septième sentence qu’une main avait tracée:
19386 = RETIRE MOI DE LA BOUE, QUE JE N’Y RESTE PAS ENFONCE.
14815 = Deux fois IS, embaumeuse et embaumée,
18313 = vase miracle de l’éternelle Dame Blanche des Légendes.
275473
I was like the shepherds of the famous painter POUSSIN, confused in front of the enigma: “ET IN ARCADIA EGO…”! The voice of the blood [race] would it show me the image of an ancestral past. Yes, the light of the genius crossed my mind. I saw again, I understood! I knew now this fabulous secret. And marvellous, when from the leaps of the four horsemen, the shoes of one horse had left four imprints on the rock, here is the sign which DELACROIX had given in one of three pictures from the chapel of Angels. Here is the seventh sentence which a hand had traced: DELIVER ME FROM THE MIRE, SO THAT I DO NOT STAY THERE SINKING. Two times IS, embalmer and embalmed, miraculous vase of the eternal White Lady of Legends.
# 9 Libra
11067 = Commencé dans les ténèbres,
20123 = mon voyage ne pouvait s’achever qu’en Lumière.
27319 = A la fenêtre de la maison ruinée, je contemplais à travers les arbres
20742 = dépouillés par l’automme le sommet de la montagne.
22012 = La croix de crète se détachait sous le soleil du midi,
23359 = elle était la quatorzième et la plus grande de toutes
9986 = avec ses 35 centimètres!
14300 = Me voici donc à mon tour cavalier
18542 = sur le coursier divin chevauchant l’abîme.
167450
Started in the shadows, my journey could only be finished in light. At the window of the ruined house I gazed across the trees stripped by autumn to the summit of the mountain. The cross of crete stood out under the midday sun, it was the fourteenth and the biggest of all with its 35 centimetres! Here I am therefore on my horse ride [tour] on a divine steed crossing the abyss.
# 10 Scorpio
21561 = Vision céleste pour celui qui me souvient
27435 = des quatres oeuvres de Em. SIGNOL autour de la ligne du Méridien,
17804 = au choeur même du sanctuaire d’où rayonne
22418 = cette source d’amour des uns pour les autres,
23173 = je pivote sur moi-même passant du regard la rose du P
10350 = à celle de l’S, puis de l’S au P …
16632 = et la spirale dans mon esprit devenant
25464 = comme un poulpe monstrueux expulsant son encre,
14313 = les ténèbres absorbent la lumière,
16363 = j’ai le vertige et je porte ma main à ma bouche
15946 = mordant instinctivement ma paume,
17983 = peut-être comme OLIER dans son cerceuil.
20652 = Malédiction, je comprends la vérité, IL EST PASSE,
17499 = mais lui aussi en faisant LE BIEN, ainsi que [xxxxxxxx]
9494 = CELUI de la tombe fleurie .
13312 = Mais combien ont saccagé la MAISON,
15740 = ne laissant que des cadavres embaumés
23060 = et nombres de métaux qu’ils n’avaient pu emporter.
24713 = Quel étrange mystère recèle le nouveau temple de SALOMON
16015 = édifié par les enfants de Saint VINCENT.
378071
Celestial vision for him who remembers the four works of Em. SIGNOL around the Meridian line, to the choir itself from the sanctuary from which beams this source of love from one to another, I turn around passing the site of the rose of the P to that of the S, then from the S to the P … and the spiral in my mind becoming like a monstrous octopus expelling its ink, the shadows obscure the light, I am dizzy and I hold my hand to my mouth biting instinctively my palm, perhaps like OLIER in his coffin. Curses, I understand the truth, HE IS GONE, but to him too in doing THE GOOD, like HIM of the flowery tomb. But how many have sacked the HOUSE, leaving only the embalmed corpses and numerous metal objects which they could not carry? What strange mystery conceals the new temple of SOLOMON built by the children of Saint VINCENT?
Le Serpent Rouge
1888055
144309 = Aquarius # 1
120652 = Pisces # 2
133711 = Aries # 3
120619 = Taurus # 4
171336 = Gemini # 5
211022 = Cancer # 6
165412 = Leo # 7
275473 = Virgo # 8
167450 = Libra # 9
378071 = Scorpio # 10
1888055
FINIS